current posts | more recent posts | earlier posts As being reported:
Search and advertising giant Google plans to build and test super fast fiber-optic broadband networks in a few communities around the U.S., promising up to a one gigabit per second service a hundred-fold increase over what most Americans currently can subscribe to.
Most are currently thinking about how it might affect the marketplace of ISP's in delivering on-line services. However, the obvious broader implications over the current IP wars are staggering.
A 1 Gbps service could let a user download a full 1080p High-Def movie in mere minutes and is more than 1000 times faster than AT&T's basic DSL offering.
If entertainment conglomerates are waging the current fight they are now, just try to imagine what will the landscape look like 10 years from now if Google's efforts materialize.
[Posted at 02/11/2010 07:42 PM by Justin Levine on The IP Wars comments(3)] Slashdot informs up that USTR will receive comments from anyone link here.
The most important feature of this is that we are invited to comment about the secret Anti-Counterfeiting Trade Agreement. That is the most important feature of this "opportunity" to comment--that we should comment on something whose content has been kept secret from the public.
That may not get us very far but there are substantial substantive objections that all readers of this blog should support and that belong on the public record.
Let's weigh in. [Posted at 02/10/2010 07:51 PM by John Bennett on The State and IP comments(2)] Jeff Tucker was interviewed yesterday by Mark Edge, as part of his "Edgington Post Interview Series," for his Free Talk Live radio show, about the Mises Institute's "open information" approach (see Jeff Tucker, A Theory of Open, B.K. Marcus, Mises.org on iTunes U, Doug French, The Intellectual Revolution Is in Process). The interview is lasts about 24 minutes, and starts at 2:52:07 in the Feb. 8, 2010 show. Tucker makes some great points, such as his idea that perhaps the antitrust law prevented movie studios from owning the theaters and thus may have made them less likely to be willing to consider online distribution models; and his example of how the Cantor-Cox book, which was released for free online months before the paper version, helped to create a ready-made audience for the paper book.
[Mises; SK] [Posted at 02/09/2010 12:25 PM by Stephan Kinsella on Open Publishing comments(0)]
 "> [Posted at 02/09/2010 10:29 AM by John Bennett on All The News That Is Not Fit To Print comments(3)] An email I just received:
My name is Luke Mroz and I am a Ron Paul supporter in NYC and a fan of your work at Mises.org. I just wanted to share a brief story with you from an event I went to last night:
Last night I attended a Comedy Central taping for a live comedian special called "Comics Anonymous" at the Union Square Theater in New York City. It was a festive event with a fun crowd of about 500 people. One of the performers was one of my favorite comedians named Robert Kelly. He told a really good joke about how he rarely used the word love because it loses its strength if you use it to much. When his wife tells him she loves him, he shrugs it off. When his father told him he loved him, for the first time in his adult life when he graduated high school, he feigned breaking down into tears and acting like an emotional wreck. While doing this, he feigned being hugged and sang the phrase "We are the world". He then went on to his next joke.
After another comedian, the taping ended. We were informed that the crowd had to stay put because Bob Kelly had to come out and re-film a joke. It was the joke I just mentioned. They said it had to be re-taped because Comedy Central didn't have the rights to the song "We Are The World". (My guess is it probably wasn't worth it to them to obtain the rights, for 1 or 2 seconds of a joke). How ridiculous is this? FOUR WORDS! We then had to hear the same joke, slightly modified, again, and pretend and cheer for it like we never heard it before. I am interested in seeing the final edited product, whenever it eventually airs.
[SK] [Posted at 02/07/2010 05:22 PM by Stephan Kinsella on IP as a Joke comments(3)] GRETCHEN MORGENSON and LOUISE STORY write in the New York Times today a long story about how Goldman Sachs raped AIG and in the process, got us tax payers, all of the unemployed in America, and all of the savers who received low interest rates because of the need to stimulate the economy link here. It didn't cause all of the problem, but it lit the match that started the conflagration, forced the bailout of AIG, and then made out in the wreckage. Building on its connections and the boldness of its gunslingers, it flourished and now it seems to be in a position to hold off even the most minor reforms that have been put forth by the administration.
Read it. The story is too long to repeat here to get the flavor of what went on. There are lots of details that will emerge in the future, but this reporting tells us how bad it was and hints at what is to come.
I want to end with this Dilbert which is a kind of visual epitaph on where we are today.
[Posted at 02/07/2010 04:22 PM by John Bennett on Financial Crisis comments(1)] The mainstream blogs occasionally cover intellectual property. Andrew Sullivan, for example reproduced a few letters from his readers criticizing commentary on Yglesias's blog. I suppose he picked these letters because he thought they were the most sensible? I thought just for fun I would fisk one of them, mostly because it is the kind of nonsense I hear at seminars all the time:
I just wanted to weigh in on the budding IP debate to say that anyone who takes a firm stand on the specific meaning of IP law doesn't really understand IP law.
David: No clue what that means.
Copyright, patent, and trademark law all serve different purposes, and have different statutory regimes precisely because the issue is multifaceted, complex, and must meet various and sometimes opposing interests.
David: Wow, it is complicated? Who'd have thunk it?
Conflating three separate legal regimes as "IP law" can make arguing about it's purpose inherently impossible.
David: You mean the way that the U.S. Constitution conflates copyright and patent? I suppose this letter writer is merely dishonest. Few if any people conflate trademark with copyright and patent law, and in the United States the legal purpose of copyright and patent as established by the Constitution are indeed the same.
For instance, Yglesias points to the Constitutional requirement that the protection be for a "limited time." Well, over the last 200 years as IP laws have evolved, we've decided that "limited time" means something very different in patent law and copyright law. Patents generally last for 25 years, copyrights last for the life of the author plus 75 years (this is a gross simplification, but good enough for our purposes).
David: A very gross simplification unless they recently increase the length of patent protection from 20 to 25 years. I know they keep changing the length of copyright protection at a dizzying rate, but it appears to still be life of the author plus 70 years. I guess this stuff is multifaceted and complex.
Patents cover inventions that increase our standard of living and move society forward.
David: You mean like the swinging on a swing patent?
The inventors of those things should be protected, but only for a short time; after that society as a whole should be allowed to benefit from the increased utility of the technology's wide dissemination.
David: Why is it exactly that they "should" be protected?
More to the point, copyright law protects expression -- the words or notes an artist uses in creating his work.
David: I hear this repeatedly at seminars. How does protecting "expression" give the author the unique right to write a sequel? What does "expression" have to do with Suntrust v. Houghton Mifflin lawsuit over The Wind Done Gone? With the lawsuit over the Harry Potter lexicon? Copyright protects ideas not merely the expression of ideas. Where on earth did this myth that copyright only protects the expression of ideas start?
Though I agree with him on many things, Yglesias is wrong here. Copyright law is very much in the business of protecting the rights of the author. That's why a copyright term lasts so long (copyright terms have been increasing steadily over time, indicating that we are becoming more and more concerned with protecting authors as time goes forward). That's also why copyright protects such a wide range of expressions and has so few formal requirements for securing one. Our copyright scheme is actually quite expansive in its protection of producers' interests.
One could say, as Yglesias does, that copyright protects consumers, but only with very roundabout logic: copyright incents producers to produce copyrightable works, and that allows consumers to consume those works, thus protecting their interest in listening to music, etc. It's much more logically satisfying to accept the basic truth and say "copyright law protects an author's interest in his copyrightable works," and then derive whatever ancillary benefits you want from there.
David: There is a telling difference between what copyright does protect - the interests of the intermediaries involved in distributing copyrightable works - and what copyright is intended to protect - the rights of the public at large. As it happens it does not and is not meant to protect either authors or consumers.
[Posted at 02/07/2010 12:29 AM by David K. Levine on IP in the News comments(40)] [Posted at 02/06/2010 01:36 PM by John Bennett on Against Monopoly comments(0)] Lawrence Lessig's name appears on our blogrole which, however, has been hibernated since August 20 last year. I can't tell whether our readers or my colleagues are aware of what he is up to. Today I came across this article in The Nation link here and this video on the internet link here and then he appeared on Bill Moyer's Journal last night (the transcript is up, but the video will appear next week) link here.
The easiest way to parse Lessig's current thinking is the four-minute video. He picks up on his disappointment with Obama who vowed to change the way business is done in Washington--and then seemed to forget his promise. Larry thinks along with many of us that Congress is broken and that the only way to change that is to limit campaign contributions. He proposes that they be funded by individuals and that they be limited to less than $100.
The most complete and eloquent account of Lessig's views is The Nation piece. Here he picks up on the recent Supreme Court decision in Citizens United v. FEC, which would make any limit on campaign contributions unconstitutional. "... the clear signal of the Roberts Court is that any reform designed to muck about with whatever wealth wants is constitutionally suspect." He despairs of getting the Congress, (that he calls the Fundraising Congress) to do anything. He proposes instead a Convention to amend the Constitution as the only possible avenue.
Here are two paragraphs from The Nation piece:
"Here a second and completely damning response walks onto the field: if money really doesn't affect results in Washington, then what could possibly explain the fundamental policy failures--relative to every comparable democracy across the world, whether liberal or conservative--of our government over the past decades? The choice (made by Democrats and Republicans alike) to leave unchecked a huge and crucially vulnerable segment of our economy, which threw the economy over a cliff when it tanked (as independent analysts again and again predicted it would). Or the choice to leave unchecked the spread of greenhouse gases. Or to leave unregulated the exploding use of antibiotics in our food supply--producing deadly strains of E. coli. Or the inability of the twenty years of "small government" Republican presidents in the past twenty-nine to reduce the size of government at all. Or... you fill in the blank. From the perspective of what the People want, or even the perspective of what the political parties say they want, the Fundraising Congress is misfiring in every dimension. That is either because Congress is filled with idiots or because Congress has a dependency on something other than principle or public policy sense. In my view, Congress is not filled with idiots."
And:
"But it is this part of the current crisis that the dark soul in me admires most. There is a brilliance to how the current fraud is sustained. Everyone inside this game recognizes that if the public saw too clearly that the driving force in Washington is campaign cash, the public might actually do something to change that. So every issue gets reframed as if it were really a question touching some deep (or not so deep) ideological question. Drug companies fund members, for example, to stop reforms that might actually test whether "me too" drugs are worth the money they cost. But the reforms get stopped by being framed as debates about "death panels" or "denying doctor choice" rather than the simple argument of cost-effectiveness that motivates the original reform. A very effective campaign succeeds in obscuring the source of conflict over major issues of reform with the pretense that it is ideology rather than campaign cash that divides us."
For those of us who want to see intellectual property law changed or eliminated, here is the reality we face: nothing will change until something sharply limits campaign contributions. [Posted at 02/06/2010 07:31 AM by John Bennett on Intellectual Property comments(5)] From the BBC:
Earlier this week, a federal court in Sydney ruled that Men at Work had plagiarised Kookaburra Sits in the Old Gum Tree in its 1983 hit, Down Under.
"It's all about money, make no mistake," said Down Under author Hay.
But Norm Lurie, owner of Larrikin Music who filed the case, said it highlighted "the importance of checking before using other people's copyrights."
This is beside the point, but I can't hear the similarity in the two patterns of notes. (One cannot actually own a pattern of notes. But one can get the government to stop others from using a pattern one claims to own.) You can listen to both at the BBC site. [Posted at 02/05/2010 07:27 AM by Sheldon Richman on Copyright comments(1)] current posts | more recent posts | earlier posts
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